Philadelphia, coming off the Billy Joel and Elton John concerts this past weekend, is set for another full slate of great live shows this week. Tuesday night sees a triple header at Johnny Brenda's with Love, Sky Saxon and the Seeds and the Electric Prunes. On Wednesday the focus shits back across town with Edwin McCain at the World Cafe Live.
Thursday night has an all age show from Chairlift at the First Unitarian Church. For the older kids, WXPN favorite Donavon Frankenreiter plays the Fillmore at the TLA. Also, Edward Sharpe & The Magnetic Zeros hit the World Cafe Live.
Friday night kicks off an amazing weekend of live show selections. The Eagles of Death Metal come to the Fillmore at the TLA, while Old Crow Medicine Show should fill up the Electric Factory. Indie hipsters can catch Scott H. Biram at Johnny Brenda's while the cannabis crowd will light up the water front hitting Penn's Landing for Slightly Stoopid, Snoop Dogg and Stephen Marley. If you want to sweat it out in a basement instead of outside, you can check out Love Language at First Unitarian Church.
If you want to get outside for a big show on Saturday night, Incubus and the Duke Spirit are at Penn's Landing or if you're looking for something more chill you can catch the always great Bonnie Raitt with the legendary Taj Mahal at the Mann. But, if prefer something more intimate then check out The Pernice Brothers at the Tin Angel.
The weekend comes to end with an outdoor homecoming show for G. Love & Special Sauce with Jason Mraz at Penn's Landing.
Modest Mouse Joins Snoop Dogg and Ryan Adams at Langerado Festival
The Langerado Music Festival is upping its game. While it has been a significant festival the last several years, this year's line up seems more diverse and an attempt to push Langerado into the upper festival echelon. Modest Mouse is the latest addition to the annual Florida gathering joining Snoop Dogg, Death Cab for Cutie, Ryan Adams and The Cardinals as some of the marquee names.
The rest of the line-up isn't too shabby either. Highlights include Broken Social Scene (great with or without Feist), Cold War Kids, Flogging Molly, Mute Math, Gym Class Heroes, The Pogues and Matisyahu. The Zach Brown band will also bring their anthem "Chicken Fried" to represent the country set while rubbing shoulders alongside festival mainstays like Umprey's McGee, Robert Randolph and the Family Band, Michael Franti and Steel Pulse.
Besides some new names, there is also a new location. This year Langerado moves to Bicentennial Park in Miami on March 6, 7 and 8th. Tickets are on sale now.
Slightly Stoopid are currently co-headlining the "Summer Haze Tour" with G. Love & Special Sauce and Ozomatli. But, the San Diegans will soon breakout on their own to showcase more of their new record, Chronchitis, which debuted at #55 on the Billboard Charts.
The fall dates include:
09/22 @ Coors Amphitheatre, San Diego, CA 09/23 @ The Empire, Sacramento, CA 09/25 @ Indigo Niteclub, Eureka, CA 09/26 @ Midtown Music Hall, Bend, OR 09/27 @ Big Easy Concert House, Spokane, WA 09/28 @ Big Easy Concert House, Boise, ID 09/29 @ Wilma Theatre, Missoula, MT 10/02 @ First Avenue, Minneapolis, MN 10/03 @ Eagles Club, Milwaukee, WI 10/04 @ Canopy Club, Urbana, IL 10/05 @ Clutch Cargos’, Pontiac, MI 10/06 @ House of Blues, Cleveland, OH 10/09 @ Mr. Small’s Tavern, Midvale, PA 10/10 @ Starland Ballroom, Sayerville, NJ 10/11 @ The Town Ballroom, Buffalo, NY 10/12 @ Lupo’s Heartbreak Hotel, Providence, RI 10/14 @ Higher Ground Ballroom, S. Burlington, VT
Reckless Youth: Slightly Stoopid & Pepper At The Roseland Ballroom
By: David Schultz
Shortly into my freshman year of college, I told my father of a night out that involved his son and his friends drinking rum out of scotch glasses like we were cultured. After chuckling and pondering what benefits his child was actually receiving from his higher education, he told me that only freshmen drank rum cause they're too idiotic to know there are better liquors. The current equivalent of my Dad's advice would involve Jagermeister, the prevalent choice of "liquor" amongst college students.
Now, how does this little anecdote relate to a Slightly Stoopid/Pepper concert at New York City's Roseland Ballroom? Well, Jagermeister is sponsoring their current North American tour, bringing two bands under their banner that target the same youthful demographic as the licorice-flavored beverage. For the same reasons that a Jagermeister dispenser would seem out of place at an upscale, high-class bar, the suit-and-tie set aren't making their presence felt at Slightly Stoopid or Pepper's performances. Playing to an extremely youthful audience, the fans in attendance at Roseland might leave one seriously questioning whether "the kids are alright."
In the midst of Pepper's set, a wide circle developed in the center of the Ballroom's spacious audience space, allowing a mosh pit to develop. While four or five guys happily barged into each other at ramming speed, a girl who couldn’t have weighed more than a hundred pounds cluelessly drifted into the open space, thinking she had found a roomy area to dance. Within two hip shakes, one of the moshers plastered her like Brian Urlacher destroying a quarterback, seemingly knocking her senseless. At the song’s end, the circle closed up but before you could ponder how such activity doesn’t lead to a brawl, a sweaty bald college kid obnoxiously tried to revive the mosh pit. Within seconds, he was being beaten mercilessly.
A knee jerk reaction would be to blame the violence on the music; a connection that would be egregiously inappropriate. Despite misguided attempts to link the two: Ozzy Osbourne and Judas Priest's music didn’t cause people to attempt suicide; Marilyn Manson's music played no role in the Columbine shooting and Pepper's music didn't cause anyone at the Roseland Ballroom to indulge in a bit of the old ultraviolence. In fact, Pepper deserves better than to have that going on while they play. Unfortunately, it can't be ignored that they (and Slightly Stoopid) attracted a large number of people predisposed to such reckless behavior. On a more comical note, once the show ended, varyingly uncoordinated efforts to retrieve the concert posters hanging from the balcony had people hoisting their friends above their heads to scrabble at the signs. Some succeeded despite dangerous ineptitude, others comically collapsed in a drunken heap.
Before getting to the music, of which there was plenty, maybe I should confess to one of my biases: I have always been embarrassed by any non-Jamaican, non-Caribbean attempts at reggae. To put that a bit more bluntly, I don't think white people should try and play reggae: too often, the attempt results in something discomforting – like the worldwide success of Snow's "Informer." That all being said, Slightly Stoopid and their current tour mates Pepper, with their mix of ska rhythms and punk rock guitars, go a long way towards shedding the admitted fallacies of my predisposition. Both bands are the musical offspring of the Red Hot Chili Peppers via Sublime, mixing the upbeat elements of ska and punk rock with funky bass lines and Californian, surfer attitude.
Unabashedly a foe of emo, Slightly Stoopid bounced back and forth between straightforward West coast hyperactive rock and ska-tinged tunes, greatly accented by the horn section of De La (sax) and C-Money (trumpet). Vocally, they have a penchant for toasting. Even when executed perfectly, toasting can become annoying when overdone. Although they resort to the style a little too often, they don't try the audience’s patience with it; using the opportunities to step from the mikes and get close to the crowd. Many efforts to turn standard folk songs into a reggae tunes have, at best, yielded mixed results. Slightly Stoopid successfully overcomes those hurdles, transforming Peter, Paul & Mary's turgid, dreary "Leaving On A Jet Plane" into a very enjoyable, reggae-style sing-along.
The horn section, which stood front and center for the majority of the show, put a little extra oomph into the songs, fleshing out the groove of the ska-centric tunes. Plus, they kicked off the encore with a humorous run through the overblown opening to Europe's "The Final Countdown." Throughout the night, Miles Doughty and Kyle McDonald traded guitar and bass riffs with abandon. Showing that they can do more than rifle through bouncy tunes, Doughty showcased his strumming skills, belting out a couple songs on an acoustic guitar. While the horns and guitars create the bouncy beat, drummer Ryan Moran and percussionist Oguer Ocon deserve mention for fueling the sunny mood of the music
Not varying the tempo as much as the headliner, Pepper's opening set had a more frenetic pace than Slightly Stoopid's. Fronted by the ripped duo of guitarist Kaleo Wassman and bassist Bret Bollinger, the shirtless pair ran from one reggae influenced rave-up to the next. Playing over Yesod Williams drums, Pepper kept the crowd moving with their Chili Peppers derived sound, even throwing in a couple lines from "Higher Ground" The Hawaiian trio have been Slightly Stoopid's touring partners for quite some time and it appears the two bands have become quite familiar with one another. To finish the evening, Pepper returned to the stage and the two bands combined to send the crowd into the relatively warm November evening with one last blast.
Slightly Stoopid's youthful following seems to be growing exponentially. On one of their last trips to New York, headlining the side stage of the Dave Matthews Band Island Getaway on Randall's Island, they drew a mighty crowd and this past weekend, easily sold out the 3,500 capacity Roseland Ballroom. Older music lovers will find a lot to like with Slightly Stoopid as their music has a broad appeal, but the kids seem to understand it best. Seeing their full set at Roseland recalled Marty McFly playing "Johnny B. Goode" at the Enchantment Under The Sea dance, finishing with a flurry and telling the befuddled crowd, "your kids are gonna love it."